The Mamiya RZ67 and the RZ67 Pro II are close relatives: both are large, modular 6×7 film SLRs built around the same system of lenses, backs and finders. The Pro II is the later refinement, so the real question is whether its updates matter for the way you shoot, not whether one is a different kind of camera.
What They Have in Common
Both cameras belong to the same professional studio tradition. They are heavy, mechanical-electronic hybrids made for tripod work, and they share a design that sets them apart from most film bodies.
- A 6×7 frame on roll film, which is far larger than 35mm.
- A bellows-style focusing mount, so focusing racks the lens in and out smoothly, which helps a lot at close distances.
- A rotating back, so you can switch between vertical and horizontal frames without turning the camera on the tripod.
- Interchangeable lenses with leaf shutters built into them, plus swappable film backs and viewfinders.
- A need for batteries, because the shutter is electronically controlled.
Where the Pro II Differs
The Pro II was introduced as an update to the earlier body. In general terms, the changes are refinements to handling and compatibility rather than a redesign. Exact details vary by serial range and by which accessories you pair with each body, so confirm specifics on the maker’s own documentation or a reliable manual before you buy.
| Topic | RZ67 (earlier body) | RZ67 Pro II |
|---|---|---|
| Core design | 6×7 modular SLR | Same system, refined |
| Lens range | Full RZ lens line | Full RZ lens line |
| Film backs | Interchangeable, check compatibility | Interchangeable, check compatibility |
| Typical age of used examples | Older | Newer |
What to Check on a Used Body
Most of these cameras today are bought secondhand, so condition matters more than model name. Work through this list when you inspect one.
- Fit fresh batteries and confirm the shutter fires at several speeds, including slow ones.
- Look through the finder for dust, fungus on the lens, or a cloudy focusing screen.
- Rack the focus through its full travel and feel for stiffness or grinding.
- Check light seals on the film back and the dark slide.
- Confirm that the back, finder and lens you want are compatible with the body.
Who Should Choose Which
Choose the Pro II if you want the more recent body and the added peace of mind that comes with a later design, and the used example in front of you is in good order. Choose the earlier RZ67 if you find a well-kept one at a better deal and you are comfortable with older electronics. In daily use, a careful photographer will make excellent images with either one; lens quality and film technique matter more than the body suffix.
Be ready for the size. These are large cameras, so plan on a sturdy tripod and a strap or bag made for heavy gear. If you mostly shoot handheld on the move, a lighter medium format body may suit you better.
FAQ
Can I use the same lenses on both?
The RZ lens family is designed to work across the system, but always check the compatibility notes for the specific lens and body combination you plan to use.
Is the RZ67 good for portraits?
Many portrait and studio shooters like the 6×7 frame, the smooth close focusing and the lens lineup. It works best when you have time to set up and use a tripod.
The Short Version
The two cameras share one system, so the choice comes down to condition and the age of the example you find. Choose the Pro II for the later refinements, or the earlier RZ67 if a clean one is available on better terms. Confirm exact specs on the maker’s page or manual before you buy.
