For sunsets, begin with a low ISO, an aperture around f/8 to f/11, and aperture priority mode, then dial exposure compensation down a little to protect the bright sky. The scene has a huge range between the glowing sky and the dark foreground, so exposure choices matter more than any single setting. Treat every number here as a rough guide and adjust on location.

Core Settings
- Shooting mode: Aperture priority is a comfortable choice because light changes fast. Switch to manual once you find a setup you like.
- ISO: Use your camera’s base value, often ISO 100 to 200, for the cleanest files. Raise it only if you are handheld and the shutter speed gets too slow.
- Aperture: Roughly f/8 to f/11 keeps landscapes sharp from front to back on many lenses.
- Shutter speed: Let the camera choose in aperture priority, and use a tripod when it drops below a handheld-safe speed.
- White balance: Daylight or cloudy keeps warm colors rich. Auto may cool them down.
- File format: Shoot RAW so you can fine-tune color and recover shadow detail later.
Step by Step on Location
- Arrive well before the sun touches the horizon and set up your composition with a tripod.
- Set aperture priority, base ISO and your chosen aperture.
- Meter on the sky, then apply exposure compensation of about minus 0.7 to minus 1.3 stops to keep the brightest colors from clipping.
- Turn on the highlight warning or histogram view and check that the right edge is not crushed against the side.
- Take a trial frame, read the histogram, and adjust.
- Keep shooting as the light changes. The colors often get better after the sun has dipped below the horizon.
Handling the Contrast
Cameras struggle when the sun is in the frame. If the foreground goes too dark, try one of these approaches.
- Exposure bracketing: Capture three or five frames a stop or two apart and blend them later in editing software.
- Graduated filter: A graduated neutral density filter darkens the sky while leaving the ground alone.
- Silhouettes: Expose for the sky and let a tree, building or person become a dark shape against the color.
Small Details That Help
Use a lens hood and wipe the front element to cut flare. Use a narrower aperture, such as f/16, if you want a sunburst effect around the sun, though very small apertures can add diffraction softness. Use a remote release or a short self timer to avoid shake.
FAQ
Should I use autofocus or manual focus?
Autofocus works well if you focus on a distant object with some contrast. Manual focus with live view magnification is steadier when the sky is soft and low in detail.
Why do my sunset photos look duller than what I saw?
The camera may be overexposing the sky or cooling the white balance. Lower the exposure and try a daylight white balance setting.
The Short Version
Use aperture priority, base ISO, an aperture near f/8 to f/11 and slightly negative exposure compensation. Mount the camera on a tripod and bracket when contrast is high. Keep shooting after the sun drops, because the best color often appears late.